As Mikaël Petraccia moves through everyday life — commuting, walking, hiking — he photographs fleeting images of ordinary movements. What interests him, though, isn’t the act of capturing these moments, but what they can become once extracted from time and space.
Painter Luz Harmon reflects on identity and belonging through an engagement with anatomy and reconstructed memory. Inspired by Dante Alighieri’s epic poem The Divine Comedy, the exhibition focuses on the sins of the flesh by reducing figures to sinew, muscle, and bone, emphasizing internal visceral anatomy.
The first comprehensive survey of the work of Susan Kleckner (1941–2010), Raw Material offers a long-overdue exploration of the pioneering artist’s forty-year career and illuminates her enduring influence on feminist, queer, and activist art practices in the United States and beyond.
A conceptual artist and activist, Thomas examines commodity, identity, media, and popular culture through photography, sculpture, installation, and experimentation with mass-produced imagery. LOVERULES presents twenty-eight works spanning two decades, including a scaled version of The Embrace alongside other iconic works from Thomas’s career.
Jeffrey Meris presents drawings from two series — I, Used to Be and Now You See Me, Now You Don’t — that underscore systemic disparities and mischaracterization of Black men in the carceral system.