"I see my role almost as a public historian. ... My job is to make this history palpable, to make it alive, to make it relatable, and to invite people to sit with it, to process it, to reckon with it, and to imagine different futures."
— Camille Turner
Camille Turner puts into practice an Afronautic methodological frame she developed to approach colonial archives from the point of view of a liberated future. Turner is a graduate of the Ontario College of Art and Design University. She recently completed a PhD at York University’s Faculty of Environmental and Urban Change and a provost’s postdoctoral fellowship at University of Toronto’s Daniels Faculty of Architecture, Landscape and Design. Turner is the recipient of the 2022 Artist Prize by the Toronto Biennial of Art. Her artworks are held in museums and public and private collections including the National Gallery of Canada, Art Museum at University of Toronto, Art Gallery of Hamilton, Art Gallery of Nova Scotia, Canada Council Art Bank, Royal Bank of Canada, Museum London, The Wedge Collection, The Rooms, and the McMichael Canadian Art Collection.